Bach Bibliography Search Result

Author : wr.
Show full details : ON
Max number of results shown : 300
Output sorted : chronologically (table)

Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Swr.	Sechs Sonaten fürs Clavier mit veränderten Reprisen - von Carl Philipp Emanuel Bach. Berlin, im Verlage der Rellstabschen Musikhandlung und Musikdruckerey. 14 Bog. Qfol. Kurze Nachrichten. 5. Schöne Künste. Musik.	AllgDBib	67	2	1786	450-454
	2.	Kuwratil, Karl	Das Klavier (I) [Entwicklung seit der Erfindung des Spinetts]. Section: II. [Entwicklung des Klavierrepertoires]. [Klaviermusik von Bach, Beethoven, Schubert, Mendelssohn, Schumann, Liszt und Brahms]	MsTheaterM	11	49	9 Dec 1865	769-772
	3.	Gräbner, Augustus Lawrence	Johann Sebastian Bach. Milwaukee, Wis.: Leo Brumder, 1885. 160p.				1885	160p
	4.	Owrid, Oswald Clayton	Bach Concordance and Cyclopaedia. [Unpublished manuscript notes on the work of J.S. Bach, compiled sometime in the early 1900s by Oswald Clayton Owrid, organist of St. Andrew's Church, Sharrow, Sheffield].				c 1900
	5.	Haward, Lawrence	Bach's Last Fugues.	MTimes	55	853	Mar 1914	161-164
	6.	wr.	Bach-Ausstellung im Gohliser Schlößchen. Bach-Dokumente aus Leipziger Besitz.	LeipzigerNNachrichten			15 Jun 1935	1p
	7.	Field, Lawrence Nathaniel	Johann Sebastian Bach. Minneapolis: Augsburg Publishing House, 1943, xxiv, 166p				1943	xxiv, 166p
	8.	Munier-Wroblewski, Mia	Gottes Zeit ist die allerbeste Zeit. Zwei Geschichten um Johann Sebastian Bach. Heilbronn u. Stuttgart: Eugen Salzer, 1949, 77p. 1970, 78p. (= Salzers Großdruck-Bibl.) [BWV 106]				1949	77p
	9.	Locklair, Wriston	Philadelphia Orchestra Presents Bach Oratorio. Orchestras in New York.	MAmer	80	1	1 Jan 1960	40-41
	10.	Locklair, Wriston	Harpsichord Society in All-Bach Program. Orchestras.	MAmer	80	5	Apr 1960	23
	11.	Lawrence, H. R. G.	Bach's Organ Works: Plea for New Recording. Correspondence.	MTimes	101	1408	Jun 1960	383
	12.	Lowrie, Donald A.	Bach's American Organ.	MJournal	20	8	Nov-Dec 1962	14, 92
	13.	Wright, Denis (arr.)	My heart ever faithful: three-part song (S.S.A.) / music by J. S. Bach arranged by Denis Wright. - London: Ascherberg, Hopwood & Crew, [1965] 8p. Pl.-Nr.: A.H. & C. Ltd. 12834; P.S. 635. (= Mortimer series of part-songs, 635) [BWV 68/2]				1965	8p
	14.	Wroñski, Tadeusz	Sonaty i partity J. S. Bacha na skrzypce solo. Studium edytorskie i wykonawcze. Kraków: Polskie Wydawnictwo Muzyczne 1970. 123p. [J. S. Bachs Sonaten und Partiten für Violine solo. Das Studium von Ausgabe und Ausführung.]				1970	123p	Latin 2
	15.	Wright, Craig	Rare music manuscripts at Harvard.	CurMcol		10	1970	25-33
	16.	Gulick, Walter Lawrence	Hearing: Physiology and Psychophysics. New York; London: Oxford University Press, 1971. xi, 258p. ISBN: 0195012992.				1971	xi, 258p
	17.	Lowrie, Donald A	Bach's Miracle at Cöthen.	MJournal	31	10	Dec 1973	17
	18.	Sears, Lawrence	Bethlehem / USA. Amerikanisches Bachfest. Berichte. Übers.: Richard K. Watt	Musica	27	4	Jul-Aug 1973	373-374
	19.	Wright, Peter	English Bach Festival. Bach. Concerts	MMusicians	24	11: 287	Jul 1976	45-47
	20.	Wright, Josephine R. B.	George Polgreen Bridgetower: An African Prodigy in England 1789-99.	MQ	66	1	Jan 1980	65-82
	21.	Wright, Barbara David	Johann Sebastian Bach's Matthäus-Passion: a Performance History 1829-1854. PhD diss., University of Michigan, 1983. viii, 458p [DA 84-02407] - Dissertation Abstracts International, 44-10A, p. 2924, AAF8402407	diss.			1983	viii, 458p
	22.	Lowry, Palmer D.	A Comprehensive Index of J. S. Bach Books in English.	Organ	63	247	Jan 1984	36-45
	23.	Lawrence, Arthur	Bach in 1985.	AmerOrganist(2)	19	3	Mar 1985	65-67
	24.	Lawrence, Arthur	Bach's Choral Music: An Overview.	AmerOrganist(2)	19	3	Mar 1985	130-133
	25.	Wright, Barbara D.	Felix Mendelssohn's Search for Historical Authenticity: His Two Performances of Bach's St. Matthew Passion. A paper read at the Allegheny Chapter meeting of the AMS on 20 April 1985 at the University of Pittsburgh.	[p]AMS_Allegheny			Apr 1985
	26.	Archbold, Lawrence	Style and Structure in the Praeludia of Dietrich Buxtehude. Ann Arbor, Mich.: UMI Research Press, 1985. vi, 349p. ISBN: 0-8357-1646-5. (= Studies in musicology, 82)	StudMcol	82		1985	vi, 349p
	27.	Schenbeck, Lawrence	Tempo and Rhythm in Bach's Cantata Ouvertures.	Bach	17	1	Jan 1986	3-17
	28.	Archbold, Lawrence	Towards a Critical Understanding of Buxtehude's Expressive Chorale Preludes. In: Church, stage, and studio: music and its contexts in seventeenth-century Germany / edited by Paul Walker; with a foreword by Lynn Edwards. Ann Arbor, Mich; London: UMI Research Press, 1990. x, 396p. (= Studies in music (Ann Arbor, Mich), 107) ISBN: 0-8357-1938-3. pp. 87-106.	StudM(AnnArbor)	107		1990	87-106
	29.	Nawroth, Ute	Die Gesangbuchsammlung Wernigerode in der Staatsbibliothek.	JbPreussKulturbesitz	28		1991	329-338
	30.	Kramer, Lawrence	Felix culpa: Goethe and the image of Mendelssohn.	[ce]MendelssohnStudies			1992	64-79
	31.	Wright, Craig	The Authenticity of and Theology behind Bach's Kleines harmonisches Labyrinth. A paper read at American Musicological Society National Meeting in Kansas City, Missouri, November 4- 7, 1999: A session on 'Bach, Telemann, and Performing Forces' chaired by Joshua Rifkin.	[p]AMS_Kansas			Nov 1999
	32.	Wright, Craig	Bachs 'Kleines harmonisches Labyrinth' (BWV 591). Echtheitsfragen und theologischer Hintergrund.	BachJb	86		2000	51-65
	33.	Wright, Craig	The Maze and the Warrior: Symbols in Architecture, Theology, and Music. Cambridge, MA: Harvard University Press, 2001. ix, 351p. ISBN: 0-674-00503-1.				2001	ix, 351p
	34.	Wroñski, Tadeusz (ed.)	Sei solo a violino / Johann Sebastian Bach. Krakow: Polskie Wydawnictwo Muzyczne, 2001. x, 103p. ISBN: 83-224-1770-5. [BWV 1001-1006]				2001	x, 103p	Latin 2
	35.	Schäfer, Hans Georg; Drange, Brigitte; Nawroth, Dietmar (eds.)	20. Köthener Bach-Festtage: 1. bis 5. September 2004. Festbuch. [Verantw. für Programm und Inhalt Hans Georg Schäfer] Köthener Bach GmbH. - Köthen: Druckhaus Köthen, 2004. 132p; Beilage 19p.	BachFesttage_Köthen	20		2004	132p
	36.	Wraight, Denzil	Gravicembalo col piano, e forte: eine Annährung an Bartolomeo Cristoforis Erfindung des Hammerflügels.	Concerto	22	201	Apr-May 2005	25-29
	37.	Wainwright, Jonathan; Holman, Peter	From Renaissance to Baroque. Change in Instruments and Instrumental Music in the Seventeenth Century. Proceedings of the national early music association conference held, in association with the department of music, University of York and the York Early Music Festival, at the University College of Ripon and York St John, York, 2-4 Juli 1999. Aldershot: Ashgate, 2005. xx, 321p. ISBN: 0 7546 0403 9; ISBN-13 978-0-7546-0403-7.	[cr]York1999			2005	xx, 321p
	38.	Wraight, Denzil	Wie war Cristoforis klangliche Vorstellung vom 'neuen' Instrument?	JbStaatInstMf	2004		2005	123-135
	39.	Bernstein, Lawrence F.	Singende Seele or Unsingbar?: Johann Forkel on the Music of Ockeghem. A paper read at the American Musicological Society Washington DC, 27-30 October 2005, Annual meeting.	[p]AMS_Washington			Oct 2005
	40.	Golan, Lawrence (ed.)	Three Sonatas & Three Partitas for Solo Violin, BWV 1001-1006 / BACH. Includes the Performance Practice essay: Performing Bach. Scholarly Performing Edition. Pacific, MO: Mel Bay Publications, 2006. 91p. ISBN: 0-7866-7333-8. [BWV 1001-1006]				2006	91p
	41.	Wraight, Denzil	Recent approaches in understanding Cristofori's fortepiano.	EarlyM	34	4	Nov 2006	635-644
	42.	Bernstein, Lawrence F.	'Singende Seele' or 'unsingbar'? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries.	JMcol	23	1	Winter 2006	3-61
	43.	Skowron, Zbigniew (ed.)	Karol Szymanowski w perspektywie kultury muzycznej przesz³oœci i wspó?czesnoœci. Kraków: Musica Iagellonica, 2007. 686p. ISBN: 978-83-7099-148-7.	[fs]Helman70			2007	686p	Latin 2
	44.	Anson-Cartwright, Mark	Elision and the Embellished Final Cadence in J. S. Bach's Preludes.	MAnalysis	26	3	Oct 2007	267-288
	45.	Wright, Craig	Labyrint a bojovník: Symboly v architektuøe, náboženství a hudbì. [The maze and the warrior: Symbols in architecture, theology, and music] trans. Michaela Ponocná - Praha: Vysehrad, 2008. 340p. ISBN: 978-80-7021-923-2				2008	340p	Latin 2
	46.	Bernstein, Lawrence F.	Ockeghem as 'The Bach of his day'.	[fs]Blackburn			2009	577-592	CollEpitomeM
	47.	Johnson, Lawrence B.	Bach, Nippon, soshite Ningen no Seishin ni sasageta Ichiya. A night for Bach, Japan and the human spirit. [Review of concert of B-minor Mass performed at University of Michigan on 24 March 2011, published in The Detroit News, 25 March 2011; trans. Hiroko Nakamura]	BCJ		94	Jul 2011	33
	48.	Wright, Lesley A.	Camille Saint-Saëns. [Oratorio de Noël, op. 12 being modelled from Bach's Christmas Oratorio, Part 2]	[ce]19cChoralM			2012	274-283
	49.	Molinaro, Lawrence	Scaffolding instruction on improvisation – training organists within the Bach circle and beyond. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012.	[p]BICB_Southampton			Jul 2012
	50.	Anson-Cartwright, Mark	Subdominant Returns in the Vocal Music of J.S. Bach.	18cM	10	2	Sep 2013	253-276
	51.	Anson-Cartwright, Mark	The Mutable Subject: Tonal and Rhythmic Transformations in Selected Fugues of J. S. Bach.	JMTheory	58	1	Spring 2014	1-24
	52.	Anson-Cartwright, Mark	The opening tonal complex of Bach's St. Matthew passion: A linear view.	EastmanStudM	136		2016	12-25
	53.	Molinaro, Lawrence	Variations in Practice: The Minuets from the Notenbuch dal Signor Kittell (1789). A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 107-108.	[p]BICB_Canterbury			Jul 2016
	54.	Anson-Cartwright, Mark	Teaching Bach's Aria Forms: Expanding Students' Analytical Horizons. Roundtable: Bach in the Music Theory Classroom	Bach	49	2	2018	266-280
	55.	Bania, Maria; Skowroneck, Tilman	Affective practices in mid-18th-century German music-making: reflections on C. P. E. Bach's advice to performers.	EarlyM	48	2	2020	193-203